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The New England Hurricane of 1938 (or Great New England Hurricane or Yankee Clipper or Long Island Express or simply The Great Hurricane of 1938) was the first major hurricane to strike New England since 1869. The storm formed near the coast of Africa in September of the 1938 Atlantic hurricane season, becoming a Category 5 hurricane on the Saffir-Simpson Hurricane Scale before making landfall as a Category 3 hurricane[1] on Long Island on September 21. The hurricane was estimated to have killed between 682 and 800 people,[2] damaged or destroyed over 57,000 homes, and caused property losses estimated at US$306 million ($ 41.1 billion in 2011).[3] Even as late as 1951, damaged trees and buildings were still seen in the affected areas.[4] To date it remains the most powerful, costliest and deadliest hurricane in recent New England history, eclipsed in landfall intensity perhaps only by the Great Colonial Hurricane of 1635

The storm surge hit Westerly, Rhode Island at 3:50 p.m. EDT, resulting in 100 deaths there alone.[17]

The tide was even higher than usual because of the Autumnal Equinox and full moon. The hurricane produced storm tides of 14 to 18 feet (5 m) across most of the Long Island and Connecticut coast, with 18- to 25-foot (8 m) tides from New London east to Cape Cod. The storm surge was especially violent along the Rhode Island shore, sweeping hundreds of summer cottages out to sea. As the surge drove northward through Narragansett Bay, it was restricted by the Bay's funnel shape and rose to nearly 16 feet (15.8) feet above normal spring tides, resulting in more than 13 feet (4.0 m) of water in some areas of downtown Providence. Several motorists were drowned in their autos.[18] Due in part to the economic difficulties of the Great Depression many of the stores of downtown Providence were looted by mobs, often before the flood waters had fully subsided.

The impact of the storm was strong enough to be recorded on seismographs in California and Alaska.

Many homes and structures along the coast were destroyed, as well as many structures inland along the hurricane's path. Entire beach communities on the coast of Rhode Island were obliterated. Napatree Point, a small cape that housed nearly 40 families between the Atlantic Ocean and Little Narragansett Bay just off of Watch Hill, Rhode Island, was completely swept away. Today, Napatree is a wildlife refuge with no human inhabitants. One house in Charlestown was lifted and deposited across the street, where it stood, inhabited, until it was demolished in August 2011. The only structures lying directly on the coast that survived the storm were the immense stone mansions in Newport, mostly because the largest mansions were along the Cliff Walk, high above the waves, though several, including The Breakers and Carey Mansion (known at that time as Seaview Terrace) still bear scars from the high winds of the storm.

A few miles from Conanicut Island, keeper Walter Eberle lost his life when Whale Rock lighthouse was swept off its base and into the raging waves. His body was never found.

Westerly Sun reporter Bill Cawley set out for New Haven around 4:00A.M. on Friday. Driving over golf courses and through backyards to avoid downed power lines and uprooted trees, talking his way through police and military barricades, Cawley finally staggered into the office of the Associated Press several hours later. An editor on duty refused to believe the horror story he told about Westerly. As authorizing calls were placed to Washington, Cawley sat down to write his first-person account. His story broke on the front page of the Washington, D.C., Evening Star that afternoon.

"I reached the outside world today after witnessing the scenes of horror and desolation that came in the hours after a tidal wave, hurled miles inland by a hurricane, engulfed Westerly, Rhode Island, my home, two days ago.

"I counted bodies — row upon sickening row of them — stretched out in the old town high school after all the city's morgues were filled. When I left at four o'clock this morning, there were 74 dead and almost 100 missing ... "

The world now knew about the horror at Westerly.

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Reality star Coco has been announced as the third member of Team Ghost.

Follow Tom Clancy's Ghost Recon: Future Soldier at GameSpot.com
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Video After The Jump

 

Coco was in Edgewater, New Jersey yesterday right before Hurricane Sandy made landfall. For some reason she decided it would be a good idea to step out on her balcony and give a weather update.

 

With winds gusting and rain pouring down the busty blonde does her best to give viewers an idea of what it's like to be in the storm, but it's pretty hard to concentrate on what she's saying with her breasts looking like they're ready to pop out of her top.

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Flooding from superstorm Sandy has forced the closure of the New York City subway system. At the Whitehall and South Ferry station, flood waters in an adjoining shopping promenade threatened to collapse a wall separating the two area

80 Charred Homes After N.Y. Fire

An aerial view shows the widespread destruction after a fire destroyed 80 to 100 buildings in a tiny beachfront neighborhood told to evacuate before Sandy hit New York.

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Taylor Swift is honoring a school for the deaf that won an online contest to have her perform on contest after an Internet prank hijacked the competition.

MATT SAYLES/AP

images?q=tbn:ANd9GcQ5pvhDH3q2jl3RqE0HR9iMgjmigLiF5bdi8wU5I1AfsqSLoW_3&width=400

NASHVILLE, Tenn. -- Taylor Swift will co-host the Grammy nominations television special.

Grammy officials say the pop star will join LL Cool J as hosts of the Dec. 5 special, airing live on CBS from Arena in Nashville, Tenn. This is the first year the nominations special has been broadcast from Music City.
 
Grammy officials also announced Monday that rising country star Luke Bryan has been added to the telecast as a performer, joining Maroon 5 as the only acts announced so far. More performers will be revealed at a future date.
 
Swift has won six Grammys. She released her latest album, "Red," last week.
 
The 55th annual Grammy Awards will be held Feb. 10 in Los Angeles.



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KELLY'S 2012 FALL JEAN DANCE

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THIS YEARS FALL FLYER 30 YEARS IN THE GAME

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KELLEYS BLUE JEAN DANCE PHOTOS PT 2 CLICK LINK

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Footage Of Diddy After Serious Car Wreck! Sean Combs sustained multiple injuries in yesterday's car accident including to his neck, ribs and collarbone. He is currently receiving treatment for these injuries from his physicians and would like to thank all of his fans for the outpouring of support that he has received since the accident
Footage Of Diddy After Serious Car Wreck!
Footage Of Diddy After Serious Car Wreck!
Footage Of Diddy After Serious Car Wreck!
Footage Of Diddy After Serious Car Wreck!

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Ciara Talks "One Woman Army"

VEVO NEWS



Ciara Talks

Ciara Talks "One Woman Army"

by Jim Macnie VEVO NEWS

A few weeks ago, just after we premiered the video for "Sorry," Ciara  swung by the VEVO offices to spin us a few tracks from her forthcoming One Woman Army. This was no ordinary visit. The R&B star was in a great mood, and when she heard our superb  she decided to roll through the bulk of the record, dancing and singing along with each new track. She had comments about each, and she made them with her  charisma way out front. 

"Sorry" is is blistering ballad, and its video depicts just how sensual Ciara is. Her physical moves are those of a dancer. Tomorrow we're premiering the second video from the album, "Got Me Good," a slammer that turns the desert into a dance club. One Woman Army is set for release this winter

After all the fun, Ciara sat down for a  about the album's message, being vulnerable, and how her recent acting experience enhances her video work.

Before we jump into it, a shout-out: Today is her birthday, and we're hoping that she's shaking it to her favorite music somewhere again today. Happy Birthday, Ciara! 

VEVO: Instead of just playing us a few tracks from the disc, you threw us a party. And you were dancing up a storm. You’re not shy about that kind of thing?

Ciara: The group was large, and the music environment, the speakers and the sound, were perfect. So we took it to another level. When you let go and have fun and be free, it’s cool.

The albums sounds strong. Name a couple of the tracks you immediately knew were on-target when you cut them in the studio.

“Sorry” made me feel that way. “Got Me Good” definitely made me feel that way. I remember jumping on a stool in the middle of that one. [Producer] Rodney Jerkins has a video of me actually reacting to it. I literally jumped on this stool, probably three feet wide, dancing like I was in a club somewhere. And Rodney had these cool lights going. Everything felt right. He was asking me about the bass. I said I wanted some 808s, and I wanted the beat to move a certain way, and he started playing the keyboards, and we’re vibing, and before you know I’m jumping on a stool.

Do you go out dancing?

Not often. I do go out, but I’m not a heavy partier like that.

Name a recent song by someone else that gets you going.

2 Chainz. Anything 2 Chainz gets me turned up. I’m so happy for him.

Is the final music on the album what you heard in your head initially? Is it what you imagined you wanted when you were putting it together?

I have to say it felt like it was coming to life - that’s a way to look at it, yes. It was definitely going in the ways I envisioned. There’s nothing like actually being able to hear it [in your head], and then find ways to go push more and take it to a higher place. 

You’ve got a real physical thing that comes out in the video for “Sorry.” Does your acting experience help you express yourself in the videos?

I have to say that my experience in the Adam Sandler movie I did last summer – That’s My Boy - helped me in so many ways. Doing anything that involves acting out a story...It inspired me from a performing perspective. It opened me up more.

Were you theatrical as a teenager?

You know, I’ve always had the gut feeling of wanting to perform, whether it’s dancing or whatever. But I’ve never been trained in anything that I do. Never trained to sing or dance. Literally I was 14 when I decided to do it because I could feel that there was something there. That was when my learning process began.

You mentioned that this new disc finds you vulnerable. When we hear all these songs in a row, what kind of story are we going to hear?

You’re going to get a good idea of where I stand as a woman. Where exactly I stand in my life, as it pertains to love, as it pertains to the creative vibe. Where my head is at. It really is my voice. There’s something beautiful to me about embracing your flaws, cause I did that along the way. This time it’s about running towards my fears. You feel it in the music as well.

That’s a liberation of sorts.

Absolutely.

It makes you confront the stuff you’re scared of. You’ve recently said that in the early days you felt like a robot to a degree.

Yes, In the beginning I was very guarded. That’s just who I am as a person. I’m always going to pre-scan a room. I’m always reluctant just to dive in. It’s taken me some time to understand that it’s okay to make mistakes, okay to have downs…I ‘m such a perfectionist. I go “Ugh,” and just sort of cringe. Not cringe exactly, but definitely I don’t like making mistakes. That’s what life’s about. That’s growth, that’s where you learn, that’s maturity, it’s necessary.

That kind of honesty is at the essence of R&B, right?

R&B, yeah, but pop, too. Just music, period. It needs to be there. We want to feel something real - at least that’s what I believe. That’s what good music is. If I look at songs that I’ve love, whether it’s Al Green or Michael or Janet or Prince, it’s there. They took you on their journeys of where they were at when they share their music with you. And to me that’s everything. I thank god for the gift of being able to express myself through music. It’s like writing things my own journal sometimes, getting things off my chest and off my mind. It’s good for you.

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